A comparison of Calligraphy: Arabs, China in addition to Japan

Calligraphy is really a specific art trend, which formed during centuries on the East. Indeed, this trend is natural for Parts of asia, where writing traditions have preserved their importance till nowadays. This means that handwritten texts in these lands ought to be performed with proper intelligence and sense of calligraphy. At least three main regions might be marked for their strong adherence to longstanding culture of calligraphy Japan, China and Arabic states.
Chinese painting and calligraphy could be distinguished by their originality. It is defined by Taoism, many followers of which were artists. Calligraphy isn't just the opportunity to write beautifully, however the art of allowing the master most fully express his individuality within traditions. When writing,  習字　お手本  use "four treasures of the workshop": paper, brush, ink, and pumice. Ink in the form of pulverized pumice sticks in a cup and is blended with water. Density is determined by the intensity of the desired colors - from light gray to dark-black, main color calligraphy. Paper absorbs ink easily, transferring the slightest shades of color and character. In China calligraphy and fine arts are much related fields. They're using the same conventional principles and, therefore, obtain mutual benefit? hieroglyphs usually appear to be small paintings, while canvases of Chinese artists maintain some inscriptions.

Japanese calligraphy has originated as a branch of Chinese writing. Japanese characters, as well as the information, perform countless other tasks. A few brush motions of a calligrapher can capture a fleeting mood, rhyme leapt stanza in an enlightened consciousness and immediately create an artistic object worth in-depth contemplation of many generations. In order to study and execute Japanese calligraphy one should have skills ?to write? in different styles, know the calligraphy history and theory, and traditionally get familiar with Japanese national culture. The crucial thing that requires to be learned is that all the characters, like the most complex contain a set of very specific elements. There is absolutely no many of them, but each, in turn, consists of the principal components ? smaller features.